narya_flame: Young woman drinking aperol in Venice (Default)
Dear Femslash Creator,

I am so sorry, I've had an epic fail this week and did not complete my letter when I promised to, so let me say up front that I am very easy to please - even less than usual, don't feel bound to anything contained in this letter. As long as you keep out of the DNWs in my signup, I will love what you make; really I just want something - anything - featuring one of my requested ships.

narya_flame: Young woman drinking aperol in Venice (Default)
This week, something from a northern English poet whose footsteps have at times crossed with mine (she's lived in Hull and in Manchester at the same time as me), though we've never actually met.  Her debut collection is available here.

Grey Natural Light

It breaks through voile and stains
like tannin leaching into a cup;
 
(the voile bunched like tissue-paper
strewn by an elephant).
 
Carbon filters into rooms
invisibly, on the back of the world’s breath.
 
Dioxide. It is not unexpected.
Nor is it hindered; almost every car
 
trails ashes down the road’s long
crawl of grau, grau, grau. Not much
 
today it seems will grow but we may dig
for graphite, paint elephants in the sky azure.

narya_flame: Young woman drinking aperol in Venice (Default)
Format: Ficlet
Fandom: The Silmarillion
Rating: G
Word Count: 676
Characters: Caranthir; Original Character(s)
Summary: A prince, his butler, and a pair of unexpected gifts...

Read it on AO3, SWG, and at Tolkien Short Fanworks.
narya_flame: Young woman drinking aperol in Venice (Default)
Poem of the week is officially back!

The year is turning; my monster event is winding down, and Innumerable Stars has commenced.  That, together with today's early autumn sunshine putting me in mind of The Fellowship of the Ring, has inspired me to share this lovely and slightly spooky short piece by the man himself.

Shadow-Bride

There was a man who dwelt alone,
as day and night went past
he sat as still as carven stone,
and yet no shadow cast.
The white owls perched upon his head
beneath the winter moon;
they wiped their beaks and thought him dead
under the stars of June.

There came a lady clad in grey
in the twilight shining:
one moment she would stand and stay,
her hair with flowers entwining.
He woke, as had he sprung of stone,
and broke the spell that bound him; 
he clasped her fast, both flesh and bone,
and wrapped her shadow round him.

There never more she walks her ways
by sun or moon or star;
she dwells below where neither days
nor any nights there are.
But once a year when caverns yawn
and hidden things awake,
they dance together then till dawn
and a single shadow make.
narya_flame: Young woman drinking aperol in Venice (Default)
 Me this evening: damn, we have no food in the fridge.  Ah well, that's OK, I'll make puttanesca...

AND THEN THERE WERE NO FREAKING ANCHOVIES

However, from the depths of last year's lockdown store cupboard emerged a forgotten can of tinned mackerel.  It wouldn't have the salty punch of a can of anchovies, so a few small adjustments were needed - but dinner was saved, and the results were worth writing down.

Serves 2


Heat the oven to around 50 celsius.  Pop in a couple of bowls/plates/something suitable for eating pasta off or out of.

Generously salt a large pan of water and set to boil.

Finely chop two fat cloves of garlic and one medium sized red chilli.  Heat up a couple of glugs of extra virgin olive oil, and gently fry the garlic and chilli, plus half a teaspoon each of dried thyme, rosemary and oregano.  After a couple of minutes, gently flake in a 115g can of mackerel in oil and allow to warm through.  When the oil in the pan is gently sizzling again, add half a glass of dry white wine, stir in a tablespoon of tomato paste, and season with salt and pepper.  

Add 250g fusilli to the boiling water.  Cook for approx. 10 minutes.  Meanwhile, leave the sauce to simmer until the wine, oil, tomato and fish have combined into something approximately the consistency of bolognese.  When this consistency is achieved, turn off the direct heat and leave to sit until the pasta is done.

As the pasta is cooking, juice a lemon and chop a generous handful of fresh parsley. 

When the pasta is done to your liking, drain it (reserving a cup of the salted, starchy water), remove the bowls/plates from the oven, and then use the pasta pan to stir through the fish and tomato sauce, the lemon, and the parsley through the fusilli.  The sauce will be quite thick; add the reserved pasta water to taste, a little at a time, until the sauce is glossy and generously coating the pasta.

Ladle into the warmed bowls and serve - ideally with a final twist of black pepper and a glass of the wine you used in the sauce.

The real magic trick of this dish (which was a complete fluke) is the lemon juice, starchy water and fatty fish emulsifying to form a sauce that is super-creamy without involving any actual dairy.  A very happy accident indeed.




narya_flame: Young woman drinking aperol in Venice (Default)
Dear Creator,

Hi! Thank you for making a gift for me; I'm really excited to see what you come up with.

I am very easy to please; I like lots of canons and characters (hence the ridiculous number of tags) and I enjoy all types of fanwork – brief character studies; quiet conversations; what-ifs; plotty adventures; horror; romance; smut; portraits; comics; moodboards...I'm happy with anything. I'd be equally thrilled to get something about any of the tags and characters I've selected so please don't read anything into the length of the prompts, or whether I've requested the characters or fandoms for previous exchanges.

narya_flame: Young woman drinking aperol in Venice (Default)
I wasn't planning to take part this year, but the tag set is so pretty...so many things that are right in my creative sweet spot...

Hmm.  Finish TRSB, then decide.
narya_flame: Young woman drinking aperol in Venice (Default)
I feel more relaxed about my TRSB fics than I did this time last year - which is odd because I still have one unfinished and currently not making a whole lot of sense, but it is squarely in my comfort zone, and I have faith that it will come together in very short order.  I just need the "a-ha!" moment.

I'm taking a breather from writing this afternoon, and prepping for D&D.  The campaign I started with friends during the first lockdown has run its course, and it's hard to get so many people together on a Saturday night now the world has opened back up again, so this one is smaller scale - I'm running a two hander for my husband and myself, which I've never done before.  I'm quite excited!

Dog stuff - nothing solid to report yet, but I've got a watchful eye on a few rescue websites.  Probably no point given we're going to Cornwall at the end of September and it wouldn't be fair to bring home a new dog before then, but I can't seem to help it...
narya_flame: Young woman drinking aperol in Venice (Default)
 ...the local barmpots attempt to seize Edinburgh castle under the Magna Carta and this feels like one of the more normal things to have happened in recent times.

Aye very guid, as they say in Glasgow.
narya_flame: Young woman drinking aperol in Venice (Default)
I haven't been doing a lot of life posts or fic posts lately, for which there are reasons (life: overwhelming; fic: absence thereof) but apparently I can still find time to scribble down what I had for lunch.

I've been making variations on this since I was a student, and the pandemic has reminded me how much I love cooking with beans and pulses (we had a storecupboard full of them in March 2020, in case we had to isolate at home and couldn't get to the shops, and neither Sam nor I like waste, so we had to come up with ways to use them).  It's a great one to keep in mind for camping trips, too - the ingredients are reasonably portable, no fancy equipment is required, and it can be made as easily on a tiny gas stove as on a cooker at home.

Serves 2

Roughly chop four fat cloves of garlic and cook them very gently in a couple of good glugs of olive oil.  Once the garlic begins to fizz (don't let it colour; lift it off the heat for a few moments if it's going too crazy, and if necessary add another dash of oil to calm things down), drop in 8-10 anchovy fillets, and allow them to slowly separate out into chunks.

Meanwhile, roughly chop a generous fistful of fresh sage.  Once the anchovies are melting into the oil, add the sage, and cook for a further two minutes, stirring gently.

Drain and rinse two 400g cans of butterbeans and add to the sage and anchovy mixture.  Stir through until the beans are evenly coated, and add a few good grinds of black pepper.  (No salt necessary, with the anchovies.)

At this point you have a choice.  Either keep the beans on a low heat, allow them to warm through, and serve as they are with a squeeze of lemon and maybe some salad leaves - or add 300g passata to the pan, turn up the heat, and allow to bubble for 10-15 minutes until slightly reduced, then serve in warmed bowls with bread.

A few stray thoughts:

  • If you're taking the passata route, then dried sage is fine if you don't have fresh.  Use 1-2 tsp, or to taste.  Thyme and/or oregano will also work fine.
  • There's nothing to stop you pre-cooking a batch of dried butterbeans, if that's your preference - I think the texture is nicer, if I'm totally honest, but the point of using the tinned version is ease and speed.
  • Most white beans are fine with this if butterbeans are for some reason unavailable - I've done it with cannellini, haricot beans, or just a mix of whatever's in the cupboard.
  • It's possible to turn the passata version into something slightly fancier (a dinner, rather than a lunch?) by adding chorizo.  Fry it off first of all, in a dry pan if at all possible, or with the barest minimum of olive oil.  Lift it out with a slotted spoon, allow the fat to cool slightly, then add a little more olive oil, then the garlic, and proceed as above.  Add the chorizo back in immediately before adding the beans, use an extra 100g of passata (depending on how much chorizo went in there) and allow to bubble uncovered, very gently, for an hour or so, to let the flavours permeate and intensify.
  • You could throw in a handful of black olives, or some chopped capers (the latter work better with the version without tomato sauce), or even a pinch of chilli flakes. 
  • If I'm making it in winter, I've been known to put a couple of glugs of red wine into the tomato sauce, to make it richer.
narya_flame: Young woman drinking aperol in Venice (Default)
Back in the 90s, garlic mushrooms were a staple starter in many English pubs. They came piping hot in a tiny individual casserole dish, often accompanied by thick slices of buttered toast and a wilting heap of cress and cucumber masquerading as a salad. It's a dish that's fallen out of fashion, but I loved it as a kid, and it holds fond memories of family birthday parties when we'd all gather around a long table in a function room, reminiscing, laughing and looking to the future.

As the pandemic hit, I sought comfort food. This was an obvious candidate to try and recreate, but annoyingly, I hadn't been able to get it right. When I cooked the mushrooms simply in butter, garlic and pepper, they lacked a little something. I seemed to recall the sauce being a dark creamy-grey rather than translucent, so I tried adding double cream (too rich), sour cream (too like a stroganoff – nothing wrong with a stroganoff but not what I was going for) and yoghurt (just no).

Eventually, frustrated, I rang my grandmother – my Dad's mum. She ran a pub of her own in the 80s and very early 90s, and she is a mine of sneaky cooking tips and unlikely recipes.

“Put milk in it,” she said, sounding bewildered that I'd needed to ask.

Milk? Milk? I screwed my nose up. She was losing it.

“And a tiny pinch of mustard powder.”

A bit of a kick. That sounded more sensible.

“Lots of butter and salt, as well. Lots and lots – much more than you think is good for you.”

That, too, seemed about right for the war generation.

“And proper bread, not that silly stuff with holes in it.”

Very on brand. I thanked her, shrugged my shoulders, and gave it one more go.

It was bloody perfect.

Read more... )
narya_flame: Young woman drinking aperol in Venice (Default)
Well, more like spring and summer, we're not really in summer yet.  But anyway, things are ramping up with TRSB now; I need to stay focused on that and not be freaking myself out thinking "must also remember to do X thing once a week."

(I'm also drowning a bit at work, so taking things off the to do list for the time being feels sensible.)

I intend to resume posting a poem every week in the early autumn, though, once my monster event is done.  
narya_flame: Green leaf on black background (Leaf)


The Tolkien Reverse Summer Bang is returning for 2021!


The Dreamwidth page has now been updated with 2021's need-to-know dates, and we're in the process of updating the FAQs over at the Tumblr blog.

Key upcoming dates...
 
  • 1st April – our suggestions spreadsheet will open, so start thinking now about your ideas for our wonderful artists!
  • 16th Aprilsign ups open.

Narya, what the heck are you talking about?
 
TRSB stands for the Tolkien Reverse Summer Bang.  Signed up artists create fan art, which is posted anonymously for authors to view and claim. The authors then spend the summer writing a piece of long-ish fiction (min. 5k words) based on the art they chose.
 
We are open to all characters, genres, ships and ratings, and all canons that fall under the Tolkien fandom umbrella. This includes movieverse (i.e. the LOTR and Hobbit trilogies), lesser known works by Tolkien (such as The Father Christmas Letters), and/or other works with a clear link to his life or creative output (for example, Tolkien’s translations and academic texts, the 2019 Tolkien biopic, fan-made films like Born of Hope, and game canons such as Lord of the Rings Online). Crossovers between two or more Tolkien canons are permitted.
 
 
What’s the suggestions form?
 
This form gives potential authors (and anyone else who wants to play!) the opportunity to suggest characters, places and scenarios they would like to see in the submitted art. The answers will feed into a publicly available spreadsheet listing the ideas submitted; artists can peruse this to get inspired!  
 
Last year’s spreadsheet contained some great ideas – here is the link, if you’d like to use it to feed your muses.  
 
We can’t wait to see what everybody dreams up this time!
narya_flame: Young woman drinking aperol in Venice (Default)
The World

The world!
Planet Earth; third from the Sun of a gun, 360 degrees.
And as new worlds emerge
stay alert. Stay aware.
Watch the Eagle! Watch the Bear!
Earthquaking, foundation shaking,
bias breaking, new day making change.
Accumulating, liberating, educating, stimulating change!
Tomorrow was born yesterday.
From inside the rib or people cage
the era of our first blood stage was blotted or erased
or TV screened or defaced.
Remember there's a revolution going on in the world.
One blood of the early morning
revolves to the one idea of our tomorrow.
Homeboy, hold on!
Now more than ever all the family must come together.
Ideas of freedom and harmony, great civilizations
yesterday brought today will bring tomorrow.
We must be about
earthquaking, liberating, investigating
and new day making change in
the world.


(Collected in Now and Then: The Poems of Gil Scott-Heron.  More about the poet in his Guardian obituary here.)
narya_flame: Young woman drinking aperol in Venice (Default)
I failed again at doing this on Monday last week - part of the point was to give me something to look forward to after work, but the last few weeks have been so full on that I've either worked late or just collapsed in front of the TV on an evening. So, I'm giving Sundays a go instead; rather than something to look forward to on a Monday, it can be something to think about and sustain me (and hopefully others) as we move into the week.

This week's poem is in Ahtna, one of the indigenous languages of Alaska, with an English translation by the poet. Smelcer, born in 1963, is Ahtna's youngest fluent speaker, and describes himself as 'a living repository of our language.' The poem is collected in Poems from the Edge of Extinction, an anthology of poetry in endangered languages, published by John Murray Press and edited by Chris McCabe.


C'etesen

Dahwdezeldiin' koht'aene kenaege'.
ukesdezt'aet.

Yaane' koht'aene yaen',
nekenaege' nadahdelna.

Koht'aene kenaege' k'os nadestaan,
lukae c'ena ti'taan, Tez'aedzi Na'.

Sii 'e koht'aene k'e kenaes,
Sii ndahwdel'en,

dandiil'en
s'dayn'tnel'en.


The Poet

I am beginning to write in our language,
but it is difficult.

Only the elders speak our words,
and they are forgetting.

There are not many words anyhow.
They are scattered like clouds,

like Salmon in Stepping Creek
at Tonsina River.

I do not speak like an Ahtna elder,
but I hear the voice of a spirit,

hear it at a distance,
speaking quietly to me.


According to the mythology of the Ahtna people, their language was given to them by a raven.
narya_flame: Young woman drinking aperol in Venice (Default)

Dear creator,

So, fandom has a hair themed exchange now...I love it! And I am very excited to see what you have in store.

I have never done an exchange where requests aren't organised by fandom, so to make things easier if you're just skimming this letter, the fandoms I have requested for this exchange are as follows:
 

  • The Silmarillion
  • The Lord of the Rings
  • The Hobbit
  • The Adventures of Tom Bombadil
  • The Story of Kullervo
  • Crossovers (all requested crossovers feature at least one Tolkien canon)

 

Read more... )

narya_flame: Young woman drinking aperol in Venice (Default)
I remembered on Thursday that I missed doing this last week - and this week's is just a short one, but feels apt.  


Thaw


Over the land freckled with snow half-thawed
The speculating rooks at their nests cawed
And saw from the elm-tops, delicate as flowers of grass,
What we below could not see: Winter pass.



(More about the author here.)
narya_flame: Green leaf on black background (Leaf)

Dear Gen Swapper,

Hi! Thank you so much for making a gift for me – I'm glad that we share a love for these canons and characters, and I can't wait to see what you make!
 

Read more... )
narya_flame: My OFC, Claire James.  Face claim Lucy Boynton. (Claire Laughing)
Dear Smut Swapper,

Hi! Thank you for making a gift for me; I'm really happy that we share a love for these ships and I would be equally thrilled with a story about any of them. Tolkien is the fandom of my heart – I dabble in others, but this is the one I always return to.
 

Read more... )
narya_flame: Young woman drinking aperol in Venice (Default)

Title: Findings
Characters: Maedhros, Fingon
Pairing: Maedhros/Fingon
Text type / Format: Short Story
Source / Fandom: The Silmarillion
Rating: G
Warnings: Choose not to warn.
Word Count: 1,666
Summary: Maedhros and Fingon journey together during the Long Peace, and make an unexpected and poignant discovery.

Read it on AO3!

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